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| nov 23 - 30 |
| glancing sideways, feeling queasy |
| hi: 60 |
| lo: 40 |
Contributed by JDB, November 2003
A very kind gentleman saw KML Walks This Way and wrote a review for a Spanish online journal. Not fluent in Spanish, but eager to discover what the writer thought, James translated the gentleman's review via freetranslation.com... The translation that popped up is below...
Peter Glantz, the director said that the only end of this production was the simply the diversion, to be able to enjoy and to laugh freely with the foolishness that occur in the life, and that is finally what happens with Killing my Lobster, walks pa?ca?. ? That it happens when a person walks from a side al another of the door, what can be seen is alone a sketch of the reality, a reality swims real said himself to in transit, and one will be able to enjoy and to laugh with the things that edge in the multiple sketches that took place in this ?great lobster?. ? The director I am illuminated with the idea of this production when observed persons ?to walk? around someone that itself intends.? As behave the person when try to undertake some stranger or unknown, and the result is very interesting. ? In Killing my lobster, one exaggerated edge cases of persons declaring an eternal love to its couple, but alone they will be able of enjoying this by brief instants, is worth to say ?while walk from a side al another of ?the open door? of what one can observe, is as being inside its own house and to have the open door toward the street, alone can be seen the two extremes of the Door and the space toward outside, this is exactly the genial work. ? We Will See people to be hated, to people to do demonstrations of strip-tease, the boys are the but amusing, but the girls, logically but sensual. Political situations, of the routine life, in short the imagination without limiting is you go him limit of killing my lobster. |
